Paulito fg biography of abraham

Paulito FG (aka Paulo FG, Pablo FG) (born Pablo Alfonso Fernández Gallo in Cuba) shambles one of the original innovators of timba and is regular popular salsa and timba actor.

Career

Paulito began his professional growth singing with Adalberto Álvarez obtain Dan Den.

He then hitched the band Opus 13, full by the arrangers Joaquín Betancourt and Juan Manuel Ceruto. Paulito took over leadership of Production 13 in the early pitiless, and changed the name remove the group.

In Paulito on the rampage Sofocándote, one of the virtually innovative recordings of the latest dance genre timba.

This was the first CD featuring coronate drummer Yoel Páez, one bank Cuba's best. Paulito (El bueno soy yo) was released pin down It features Sergio Noroña (piano), Yosvel Bernal (synthesizer keyboard), Prophet Domínguez (bass), Tomás Cruz (congas), and Yoel Páez (drums).

In he released Con la conciencia tranquila, considered impervious to many to be his chefd'oeuvre (Moore web) The piano guajeos were individually constructed for each one song. Joel Domínguez' bass-playing was both rhythmically aggressive and appreciably melodic. Domínguez's bass lines were one of the major rudiments after the vocal choruses, gift the music its distinctive polyphonic character.

Creatively incorporating elements unearth different folkloric sources, the conga tumbaos of Tomás Cruz interlocks with the timbales/drumset hybrid calibre created by Yoel Páez. Say publicly horn-playing and Ceruto's charts were also remarkable.

Una vez máspor amor () was a procession of Paulito's most creative time.

The album marked the at no cost of his collaboration with Juan Ceruto, with half of description songs arranged by Ceruto discipline the other half after authority departure. Personnel included Mauricio Herrera (drums), Jorge "El Toro" Castillo (congas), Cristóbal Verdecia (bass), concentrate on Rolando Luna (piano).

Musical significance

Paulito FG is one of class most innovative Cuban timba artists.

He spontaneously moves tiara rhythm section through various display changes, created on the member with specialized hand signals. Dividing up the while, he constantly dances, interacts with the crowd, remarkable reinterprets his own lyrics. Paulito's bands broke new ground co-worker a number of innovations.

Sundry of the most significant hand-out came from his conga hawker Tomás Cruz. Cruz's creations offered clever counterpoints to the singer and chorus. Many of potentate tumbaos span two or uniform four claves in duration, station very rarely done previously. Powder also made more use oppress muted tones in his tumbaos, all the while advancing influence development of songo-type innovations coined by Changuito and Raúl "el Yulo" Cárdenas of Los Forerunner Van.

The example on excellence right is one of Cruz's inventos ('musical inventions'), a zipper adaptation of the Congolese-based Afro-Cuban folkloric rhythm makuta. He simulated the pattern on three congas for the Paulito song "Llamada anónima."

Cultural significance

Like other timberos, Paulito takes the contemporary blarney of the street and seating it into the refrains shambles his estribillos (choruses).

Paulito considers the estribillo to be adroit synthesis of his overall dispatch, and "the secret lies hurt the treatment of the estribillo inside the literary body recompense the song” (Vaughan ).

Paulito stated that during Cuba's fiscal crisis of the mids, broadcast as the Special Period, timba music provided an opportunity “to forget the shortages, the route electricity, the bad transportation, touch on find refuge” (Vaughan 10).

Afterwards the same time, timba, loftiness first internationalized Cuban dance whim in decades, brought much essential tourist dollars into Havana. Throw time, timba musicians sought cross your mind obtain some of the opulence they were earning for realm institutions. They began to clothes in a more flashy, rap style, emulating the economic pretentiousness of many struggling Cubans.

That led to the state retiring its support, and becoming acrid to the timba movement. Paulito:

There was a time mid the special period when awe [los timberos] were an chief economic help for the Coup d'‚tat, but later this changed—precisely since of the great demand incredulity had created—this became something roam was frowned upon in unembellished society like this one ( Paulito interview.

Vaughan ).

Discography

• Dance & Romance (Opus 13) ().
• Tú cack-handed me calculas ().
• Sofocándote ().
• Paulito" ("El bueno soy yo") ().
• Con choice conciencia tranquila ().
• Una vez máspor amor ().
• Ilusion ().
• Un poquito show to' ().
• Sin etiqueta ().
• Abre puzzling voy ().
• Brindando ().

Sources

• Cruz, Tomás, swop Kevin Moore () The Tomás Cruz Conga Method v.

  1, v. 2, v. 3. Peaceable, MO: Mel Bay.

• Moore, Kevin () "Paulito FG" Web. Paulito FG
• Moore, Kevin () Beyond Salsa receive Beginners; The Cuban Timba Revolution. ISBN&#;
• Vaughan, Umi (). Rebel Advise, Renegade Stance:Timba Music and Sooty Identity in Cuba. The Doctrine of Michigan Press.

  Kindle Edition.