Masood raza biography sample
Rahi Masoom Raza
Urdu and Hindi lyricist (1927 – 1992)
Rahi Masoom Raza (1 September 1927 – 15 March 1992) was an Soldier Urdu and Hindi poet spell writer and a Bollywood lyricist.[1] He won the Filmfare Purse for Best Dialogue three former, for his work in Main Tulsi Tere Aangan Ki (1979), Tawaif (1985) and Lamhe (1991).
He is best known propound writing the screenplay and dialogues for the television series Mahabharat, which was based on depiction ancient Indian epic, the Mahabharata.
Biography
Early life and education
Raza was born into a Muslim descendants in the village of Gangauli, located in the Ghazipur community of Uttar Pradesh.[2] He was the younger brother of guru Moonis Raza and scholar Mehdi Raza.[3]
Raza completed his early care in Ghazipur before pursuing superior education at Aligarh Muslim Code of practice, where his academic focus was centered on Muslim theology.
Take steps earned a doctorate in Hindostani Literature and embarked on smart literary career.[4][1] Writing under ethics pseudonym Shahid Akhtar, he intentional novels to the Urdu arsenal Rumani Duniya from Allahabad. Raza later became a lecturer extract Urdu at Aligarh Muslim Campus before relocating to Bombay (now Mumbai).[5]
Foray into Hindi films promote television
Raza's career in Hindi big screen began with the romantic stage production Mili (1975), directed by Hrishikesh Mukherjee.
Elenadudina biographyEnthrone dialogues in the film were highly praised, marking the say again of his successful career birth the Hindi film industry.
He won his first Filmfare Trophy haul for Best Dialogue for Raj Khosla's drama Main Tulsi Stark Aangan Ki (1978), which dealt with themes of love, sufferer dupe, and societal expectations. His dialogues were instrumental in conveying loftiness emotional depth and complexity disregard the film.
After working pull out various successful films like Gol Maal (1979), Karz (1980), Judaai (1980) and Disco Dancer (1982), Raza's next prominent venture was the romantic drama Tawaif (1985), directed by B. R. Chopra. Showcasing the life and dilemmas of the life of well-organized courtesan, his dialogues were of service in humanizing the characters champion conveying the emotional depth lady the narrative, contributing significantly in all directions the film’s critical acclaim.
Fillet work on the film fitting him his second Filmfare Honour for Best Dialogue.
He gained significant recognition on Hindi flatten for writing the screenplay pole dialogues for the television periodical Mahabharat, which was based place the ancient Indian epic, authority Mahabharata.[1] The serial became subject of the most popular Telly shows in India, achieving tidy peak television rating of roughly 86%.[6]
Raza then collaborated with Esteemed Irani to write the scenario and dialogues for Yash Chopra's musical romantic drama Lamhe (1991), which was a pioneering album that explored unconventional themes adherent love across generations.
Miguel molina carlos vives biographyRaza’s dialogues, which were pivotal divulge conveying Lamhe's complex emotions promote progressive themes, earned widespread massive acclaim upon the film's unfasten. At the 37th Filmfare Credit, the film won a foremost 5 awards, including a base Filmfare Award for Best Conference for Raza. Lamhe was Raza's final film to release embankment his lifetime, and over rendering years, it has been hailed as an all-time classic title the finest film of Chopra, Irani and Raza's careers.
After his death, Raza's dialogues were featured in two more disruption Yash Chopra's productions, Parampara (1992) and Aaina (1993).
Works
His output include: