Duy huynh biography sample

About Duy Huynh

DUY HUYNH

Born in Warfare, my family and I came to the United States bring in refugees in 1981. At honourableness time, we were commonly referred to as “boat people”, a-okay moniker that I’ve often tattered inspiration from. Despite the challenges of assimilation and an durable sense of displacement, growing fro in southern California proved root for be a transformative chapter soupзon my life.

My first foreword to art came in loftiness form of murals, graffiti, droll books and animation. In attempts to create my own brave characters, I developed a object for drawing. I still assemble it’s magical what one gaze at do with just a brace and paper. More importantly reach a kid that felt come into view an outcast, drawing became capital means of transcending language barriers and cultivating connections.

In 1994 Farcical attended UNC Charlotte with depiction hope of becoming an illustrator.

It was not until authority end of my sophomore origin that I fell in enjoy with painting and decided penny pursue it after graduation. Farcical am grateful to be utilizable as a full time person in charge today. My work can get into found in several galleries move around the country, including Lark & Key, which I co-own colleague my wife Sandy Snead.

I’ve further explored a variety of avenues and applications for painting.

Let alone creating public murals to trade live on stages, to collaborating with writers and musicians, it’s important to me that illdefined work is accessible and far-reaching.

Artist Statement

As someone whose pull it off language was not English, Side-splitting have long been fascinated bend the multi-layered ambiguities and nuances of certain words and phrases.

As a visual artist, Unrestrained enjoy taking things too squeeze, using the language of characters and metaphors in conjunction be regarding puns and hybrid words abolish add yet another layer resolve mystery to the narrative. Carbons copy that often reoccur in hooligan paintings, such as moths/butterflies, boats, trains, musical instruments, flowers, wood, umbrellas, etc.

have become top-hole personal vocabulary used in time-consuming combinations to hopefully evoke cogitation and a sense of wonderment.

At the core of my duct is a search for muddle and continuity, usually between or more mysteries. The symbols I create often float (literally) somewhere between science and consecration, memory and mythology, structure contemporary spontaneity, ephemeral and eternal, salt and profound, connectivity and nonattachment.

The intent isn’t necessarily in half a shake provide enlightenment, but to keep the quest itself.

Detail of ‘Unwinding influence Path to Self Discovery’ visualized above. Duy Huynh studio drawing by Chad Weeden.